“He who in his heart—” there was verse and chapter for it. Joan was a murderess. Just as well, so far as Joan was concerned, might she have taken a carving-knife and stabbed Deacon Hornflower to the heart. “It could be done with a little good will all round,” he continued, “and nine men out of every ten would be the better off. But they won’t even let you explain. Their newspapers shout you down. It’s such a damned fine world for the few: never mind the many. My father was a farm labourer: and all his life he never earned more than thirteen and sixpence a week. I left when I was twelve and went into the mines. There were six of us children; and my mother brought us up healthy and decent. She fed us and clothed us and sent us to school; and when she died we buried her with the money she had put by for the purpose; and never a penny of charity had ever soiled her hands. I can see them now. Talk of your Chancellors of the Exchequer and their problems! She worked herself to death, of course. Well, that’s all right. One doesn’t mind that where one loves. If they would only let you. She had no opposition to contend with—no thwarting and hampering at every turn—the very people you are working for hounded on against you. The difficulty of a man like myself, who wants to do something, who could do something, is that for the best part of his life he is fighting to be allowed to do it. By the time I’ve lived down their lies and got my chance, my energy will be gone.”!

She ought to have insisted on their going to a decent shop. The mere advertisement ought to have forewarned her. It was the posters that had captured Mrs. Phillips: those dazzling apartments where bejewelled society reposed upon the “high-class but inexpensive designs” of Mr. Krebs. Artists ought to have more self-respect than to sell their talents for such purposes. In answer the tears sprang to Joan’s eyes. She knelt down and put her arms about the woman.

She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been. “I was afraid you had forgotten how to do it,” she laughed, when at last he released her. “Do you know, you haven’t hugged me, Dad, since I was five years old. That’s nineteen years ago. You do love me, don’t you?” “Very beautiful,” he answered, “in the beginning.”